Aastik Full Movie
Director S. P. Kalla
Music DirectorNarayan
BannerRani Productions
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Pukar (Urdu: پُکر, Hindi: पुकार) is a 1939 Urdu film produced and directed by Sohrab Modi at production house, Minerva movietone. The film is about Mughal emperor Jehangir’s legendary justice and focuses how Jehangir offers himself to be killed when a washerwoman accuses the empress Noorjehan (Naseem Bano) of killing her husband in a hunt.
The movie is a typical Sohrab Modi production (which always seemed to be historical) with heavy and lengthy Urdu dialogues said in a loud and dramatic style. Story and lyrics are by Kamal Amrohi. Pukar is considered to be the earliest Muslim social film.[1]
Plot
Set at the court of the harsh Mughhal Emperor Jehangir (Chandra Mohan), the film tells two separate love stories: the first of Mangal Singh (Ali) and Kanwar (Sheela) amid the violent feud raging between their families, and the second, the famous one of Jehangir and Nurjehan (Banu). Mangal kills the brother and father of his lover. His father, the loyal Rajput chieftain Sangram Singh (Modi), captures his son and Jehangir passes the death sentence. Jehangir’s claim that the law knows no class distinction is put on the test when a washerwoman (Akhtar) accuses Queen Nurjehan of having inadvertently killed her husband during a hunt. Jehangir offers his own life but the washerwoman magnanimously forgives him.
Cast[edit]
Sohrab Modi … Sardar Sangram Singh
Chandra Mohan … Shahenshah Jehangir
Naseem Banu … Malika Noor Jahan (as Naseem)
Sheela … Kanwar
Sardar Akhtar … Washerwoman
Sadiq Ali (actor) … Mangal Singh (as Sadik Ali)
Jillo
Maya Devi (actress)
Shakir
Ghulam Hussein
A. B. Ramesh
Kusum
Ram Apte
G. M. Das
Babu Singh … Washerman
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Roopa lives in a chawl in a slum with her alcoholic paternal uncle, who sits at home and forces her to go out to work, earn and buy alcohol for him. Her outlook on life is close to despair, and when she finds no work, earns no money, she is severely beaten by him and thrown out of the room. On one such occasion, a neighbor named Raj comes to her aid and even loans her some money. But that only lasts for a short while, and she is back to square one again. She decides to kill herself, but is rescued by an artiste named Ashok, who asks her to model for him. Soon they become fast friends, she even moves into his palatial home, and both earn quite a bit of money from selling the paintings. Then one day Raj re-enters her life, and it was as though her past had come to re-visit. She longed to be with Raj. Ashok is unhappy because of the competition, as he is in love with Roopa and would like to marry her. Roopa decides in favor of Raj and decides to run away with him, little knowing that Raj is only interested in her newly acquired wealth, which he intends to procure by hook or by crook, to repay his debts to a gangster named Advani. Will Roopa be drawn back into her old despaired life again?
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