If all you're doing is playing it safe – trying to make the same movie over and over again – that's when the audiences say, 'Oh, this is just a moneymaking machine.' But if it's genuinely in service to the art form, then the franchise concept is being used in a way that's exciting.

[ad_1]

If all you’re doing is playing it safe – trying to make the same movie over and over again – that’s when the audiences say, ‘Oh, this is just a moneymaking machine.’ But if it’s genuinely in service to the art form, then the franchise concept is being used in a way that’s exciting.

[ad_2]

I believe happiness is a chemical imbalance – it's a silly thing to strife for. But satisfaction – if you seek satisfaction, you can succeed. Satisfaction is knowing that you're doing the best that you can do; you're living your life to the fullest.

[ad_1]

I believe happiness is a chemical imbalance – it’s a silly thing to strife for. But satisfaction – if you seek satisfaction, you can succeed. Satisfaction is knowing that you’re doing the best that you can do; you’re living your life to the fullest.

[ad_2]

The health of the planet is at stake, because the cruelty and the waste that accompanies the slaughter of billions of animals each year literally infects us all. We could consume healthy plant-based food produced at almost infinitely less cost. What does that say, really, about us and what we're doing… to animals and to ourselves?

[ad_1]

The health of the planet is at stake, because the cruelty and the waste that accompanies the slaughter of billions of animals each year literally infects us all. We could consume healthy plant-based food produced at almost infinitely less cost. What does that say, really, about us and what we’re doing… to animals and to ourselves?

[ad_2]

On 'Catfish,' I'm a co-host and onscreen cameraman, maybe the second onscreen cameraman after Wes Bentley's turn in 'American Beauty,' which is funny and ironic. But before that, I'd been doing a lot of creative nonfiction.

[ad_1]

On ‘Catfish,’ I’m a co-host and onscreen cameraman, maybe the second onscreen cameraman after Wes Bentley’s turn in ‘American Beauty,’ which is funny and ironic. But before that, I’d been doing a lot of creative nonfiction.

[ad_2]