Art

The first thing I learned in boxing is to not get hit. That's the art of boxing. Execute your opponent without getting hit. In sports school, we were putting our hands behind our backs and having to defend ourselves with our shoulders, by rolling, by moving round the ring, moving out feet.

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The first thing I learned in boxing is to not get hit. That’s the art of boxing. Execute your opponent without getting hit. In sports school, we were putting our hands behind our backs and having to defend ourselves with our shoulders, by rolling, by moving round the ring, moving out feet.

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If all you're doing is playing it safe – trying to make the same movie over and over again – that's when the audiences say, 'Oh, this is just a moneymaking machine.' But if it's genuinely in service to the art form, then the franchise concept is being used in a way that's exciting.

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If all you’re doing is playing it safe – trying to make the same movie over and over again – that’s when the audiences say, ‘Oh, this is just a moneymaking machine.’ But if it’s genuinely in service to the art form, then the franchise concept is being used in a way that’s exciting.

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Art is exalted above religion and race. Not a single solitary soul these days believes in the religions of the Assyrians, the Egyptians and the Greeks… Only their art, whenever it was beautiful, stands proud and exalted, rising above all time.

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Art is exalted above religion and race. Not a single solitary soul these days believes in the religions of the Assyrians, the Egyptians and the Greeks… Only their art, whenever it was beautiful, stands proud and exalted, rising above all time.

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One: whose shoulders do you stand on? And two: what do you stand for? These are two questions that I always begin my poetry workshops with students because at times, poetry can seem like this dead art form for old white men who just seem like they were born to be old, like, you know, Benjamin Button or something.

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One: whose shoulders do you stand on? And two: what do you stand for? These are two questions that I always begin my poetry workshops with students because at times, poetry can seem like this dead art form for old white men who just seem like they were born to be old, like, you know, Benjamin Button or something.

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The oldest theory of art belongs to the Greeks, who regarded art as an imitation (mimesis) of reality. The strength of that theory is that it explains the way in which art takes its materials from real life.

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The oldest theory of art belongs to the Greeks, who regarded art as an imitation (mimesis) of reality. The strength of that theory is that it explains the way in which art takes its materials from real life.

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