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As an actor, I’ve grown considerably. For example, it’s taken me years to get comfortable doing a romantic scene and dancing on stage in front of a live audience. I do it a lot better than I ever did. I’ve really opened up a lot. And I’m glad I have because I’m being appreciated for it.
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romantic
I'm the old-school, letter-writing romantic. I know it's out of style, and not a lot of women go for that these days, but that's what I go for.
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I’m the old-school, letter-writing romantic. I know it’s out of style, and not a lot of women go for that these days, but that’s what I go for.
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I've written a couple of scripts. Actually, a pilot. I'm not sure I'm allowed to say, but it's a comedy about three young men in New York City, one of whom may or may not be a romantic like me.
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I’ve written a couple of scripts. Actually, a pilot. I’m not sure I’m allowed to say, but it’s a comedy about three young men in New York City, one of whom may or may not be a romantic like me.
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In urban America, you do not so much meet a romantic partner as inherit the product of someone else's romantic crimes.
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In urban America, you do not so much meet a romantic partner as inherit the product of someone else’s romantic crimes.
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Ever since the romantic comedy-drama 'She's Gotta Have It' antagonized black women and black men in 1986, Spike Lee's films have enjoyed the outrage of various groups.
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Ever since the romantic comedy-drama ‘She’s Gotta Have It’ antagonized black women and black men in 1986, Spike Lee’s films have enjoyed the outrage of various groups.
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Without romance, films will be boring. I doubt if people now understand romance, though they may claim it otherwise. I am very romantic in real life.
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Without romance, films will be boring. I doubt if people now understand romance, though they may claim it otherwise. I am very romantic in real life.
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I've always loved the '40s romantic comedies and the idea of those mistaken identities and lovers' misunderstandings.
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I’ve always loved the ’40s romantic comedies and the idea of those mistaken identities and lovers’ misunderstandings.
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I was born with a romantic nature, and I'll carry it to my grave.
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I was born with a romantic nature, and I’ll carry it to my grave.
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With female-oriented movies, unless it's something like 'Bridesmaids' or a romantic comedy, you've got to really worry about your opening weekend. And I'm always telling stories about women, not younger women, and it's just a much tougher audience to get to the movie theater.
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With female-oriented movies, unless it’s something like ‘Bridesmaids’ or a romantic comedy, you’ve got to really worry about your opening weekend. And I’m always telling stories about women, not younger women, and it’s just a much tougher audience to get to the movie theater.
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I always wanted to be a teacher. I went to school to be a teacher. And I've always, you know, had this sort of romantic idea about it. But I'm worried about – I'm worried about education.
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I always wanted to be a teacher. I went to school to be a teacher. And I’ve always, you know, had this sort of romantic idea about it. But I’m worried about – I’m worried about education.
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When people discuss the 1960s and the great Civil Rights Era, they often speak in romantic terms as if there wasn't immense work put in, and as if there wasn't immense sacrifice that took place. But none of those battles were easily fought and won; there were sustained movements behind them.
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When people discuss the 1960s and the great Civil Rights Era, they often speak in romantic terms as if there wasn’t immense work put in, and as if there wasn’t immense sacrifice that took place. But none of those battles were easily fought and won; there were sustained movements behind them.
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I don't like to hurry. I'm not a conductor of the fast, fiery romantic type. I prefer Bruckner, with the sincerity of his musical language and the huge time spans in which his ideas develop, to Mahler, with his hysteria and self-indulgence.
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I don’t like to hurry. I’m not a conductor of the fast, fiery romantic type. I prefer Bruckner, with the sincerity of his musical language and the huge time spans in which his ideas develop, to Mahler, with his hysteria and self-indulgence.
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