From Borges, those wonderful gaucho stories from which I learned that you can be specific as to a time and place and culture and still have the work resonate with the universal themes of love, honor, duty, betrayal, etc. From Amiri Baraka, I learned that all art is political, although I don't write political plays.

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From Borges, those wonderful gaucho stories from which I learned that you can be specific as to a time and place and culture and still have the work resonate with the universal themes of love, honor, duty, betrayal, etc. From Amiri Baraka, I learned that all art is political, although I don’t write political plays.

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Positive rights are the right to shelter, the right to education, the right to health care, the right to a living wage. These things are – these are, I would call them, more properly, political rights rather than positive rights. And they are extremely tricky, because now we are dealing with things that are zero sum.

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Positive rights are the right to shelter, the right to education, the right to health care, the right to a living wage. These things are – these are, I would call them, more properly, political rights rather than positive rights. And they are extremely tricky, because now we are dealing with things that are zero sum.

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The truth is I do take drag really seriously, and I think that there's kind of a place for that – to see it as this political and historical art form, and to want to continue pushing it in new directions. And also honor the old directions as well. So I'm sort of like a drag intellectual/drag queen.

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The truth is I do take drag really seriously, and I think that there’s kind of a place for that – to see it as this political and historical art form, and to want to continue pushing it in new directions. And also honor the old directions as well. So I’m sort of like a drag intellectual/drag queen.

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I wanted to tell a romantic and dark side of Ottoman history that was also slightly political, saying to the previous generation of writers, 'Look, I'm interested in Ottoman things, and I'm not afraid of it, and I'm doing something creative.'

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I wanted to tell a romantic and dark side of Ottoman history that was also slightly political, saying to the previous generation of writers, ‘Look, I’m interested in Ottoman things, and I’m not afraid of it, and I’m doing something creative.’

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Our political leaders have great responsibilities, but as with many situations in life, people often rise or fall to meet your expectations. Our responsibility as citizens is to expect our leaders to lead and to give them enough support so that they may do so.

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Our political leaders have great responsibilities, but as with many situations in life, people often rise or fall to meet your expectations. Our responsibility as citizens is to expect our leaders to lead and to give them enough support so that they may do so.

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