Everyone sees something different in 'Endgame': a biblical apocalypse, a portrait of painful co-dependency, a confession of guilt and dignity in the face of death, a night of baffling hopelessness, a meaningless babble. Each interpretation reveals an absurd truth – not about the play, but about the person watching it.

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Everyone sees something different in ‘Endgame’: a biblical apocalypse, a portrait of painful co-dependency, a confession of guilt and dignity in the face of death, a night of baffling hopelessness, a meaningless babble. Each interpretation reveals an absurd truth – not about the play, but about the person watching it.

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Donald's monstrosity is the manifestation of the very weakness within him that he's been running from his entire life. For him, there has never been any option but to be positive, to project strength, no matter how illusory, because doing anything else carries a death sentence; my father's short life is evidence of that.

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Donald’s monstrosity is the manifestation of the very weakness within him that he’s been running from his entire life. For him, there has never been any option but to be positive, to project strength, no matter how illusory, because doing anything else carries a death sentence; my father’s short life is evidence of that.

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For a culture that has such a problem with death, we seem to deal with it in a quite bizarre way. We see people shot, killed and blown up, and we find it funny and sexy and all those things. But, the reality of it is that every day people die, and people are really sad and they grieve and they go through a really difficult process with it.

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For a culture that has such a problem with death, we seem to deal with it in a quite bizarre way. We see people shot, killed and blown up, and we find it funny and sexy and all those things. But, the reality of it is that every day people die, and people are really sad and they grieve and they go through a really difficult process with it.

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When I first got involved in the underground metal scene in '82, '83, there were only about five or six major Death or Black Metal bands around. There were so many other bands that were inspirational, that really helped.

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When I first got involved in the underground metal scene in ’82, ’83, there were only about five or six major Death or Black Metal bands around. There were so many other bands that were inspirational, that really helped.

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Death is with you all the time; you get deeper in it as you move towards it, but it's not unfamiliar to you. It's always been there, so what becomes unfamiliar to you when you pass away from the moment is really life.

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Death is with you all the time; you get deeper in it as you move towards it, but it’s not unfamiliar to you. It’s always been there, so what becomes unfamiliar to you when you pass away from the moment is really life.

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I think that beauty can injure you to death. It can cause an injury that can never be cured. Or it can so traumatise you, your life changes direction. The beauty of the harmony of nature that is forever lost, or a daily rite that you perform, or diving into the sea for a swim. Those experiences are going to mark you.

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I think that beauty can injure you to death. It can cause an injury that can never be cured. Or it can so traumatise you, your life changes direction. The beauty of the harmony of nature that is forever lost, or a daily rite that you perform, or diving into the sea for a swim. Those experiences are going to mark you.

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