I've traveled around the country and I read local newspapers and all of that, and it's a sad, sad thing to go from city to city and see the small newspapers and they're tiny. They're tiny not only in size but also in scope.

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I’ve traveled around the country and I read local newspapers and all of that, and it’s a sad, sad thing to go from city to city and see the small newspapers and they’re tiny. They’re tiny not only in size but also in scope.

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The beauty standards had nothing to do with me in Mexico. It was such a bizarre, dire time for my hair. I was living in a small town where there was not any semblance of an African community. I'd have to take the bus to Mexico City to find a woman who could braid my hair. That was two and a half hours away.

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The beauty standards had nothing to do with me in Mexico. It was such a bizarre, dire time for my hair. I was living in a small town where there was not any semblance of an African community. I’d have to take the bus to Mexico City to find a woman who could braid my hair. That was two and a half hours away.

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I'd love to go and visit the Mosque in Mecca again, just for the sheer beauty of it, not for God – much the way a non-Catholic might go to Vatican City because of the beauty of the buildings and the artifacts.

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I’d love to go and visit the Mosque in Mecca again, just for the sheer beauty of it, not for God – much the way a non-Catholic might go to Vatican City because of the beauty of the buildings and the artifacts.

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The slugs are ascending this steep city staircase that leads up to a huge Catholic church, essentially signifying their slow crawl towards death. The work reminds us of religion, mortality, natural decay, and the slow suffocation of commercialized societies.

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The slugs are ascending this steep city staircase that leads up to a huge Catholic church, essentially signifying their slow crawl towards death. The work reminds us of religion, mortality, natural decay, and the slow suffocation of commercialized societies.

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In England, we'd leave school at 15 and go on to a college, and I went to further education in a town called Welling Garden City. I fully immersed myself in bohemia there, which included poetry and modern art, jazz, philosophy, social radicalism.

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In England, we’d leave school at 15 and go on to a college, and I went to further education in a town called Welling Garden City. I fully immersed myself in bohemia there, which included poetry and modern art, jazz, philosophy, social radicalism.

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What the mayors care about is, 'How can I get money to invest in the infrastructure in my city? How do we put people back to work, lower the unemployment rate, provide for job training programs? How do we make class sizes smaller and make investments in our children from an education standpoint?'

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What the mayors care about is, ‘How can I get money to invest in the infrastructure in my city? How do we put people back to work, lower the unemployment rate, provide for job training programs? How do we make class sizes smaller and make investments in our children from an education standpoint?’

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You know, the sad thing of post-9/11, which was of course horrific, was that the city in which I felt completely at home for two decades, suddenly people like us – brown people – were looked at as the 'Others.'

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You know, the sad thing of post-9/11, which was of course horrific, was that the city in which I felt completely at home for two decades, suddenly people like us – brown people – were looked at as the ‘Others.’

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I always give respect to and pay homage to New York, because I don't feel like I would be the player that I am today if it wasn't for New York City. It gives you a certain edge, a certain toughness just growing up in the city.

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I always give respect to and pay homage to New York, because I don’t feel like I would be the player that I am today if it wasn’t for New York City. It gives you a certain edge, a certain toughness just growing up in the city.

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I remember my grandmother taking me and my sisters to the Steel Pier in Atlantic City. We would watch the diving bell and see the diving horse jump into the pool. We would take the bus there, and I just smile thinking about all of us running around the pier on those days.

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I remember my grandmother taking me and my sisters to the Steel Pier in Atlantic City. We would watch the diving bell and see the diving horse jump into the pool. We would take the bus there, and I just smile thinking about all of us running around the pier on those days.

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I believe in the city as a natural human environment, but we must humanize it. It's art that will re-define public space in the 21st Century. We can make our cities diverse, inspirational places by putting art, dance and performance in all its forms into the matrix of street life.

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I believe in the city as a natural human environment, but we must humanize it. It’s art that will re-define public space in the 21st Century. We can make our cities diverse, inspirational places by putting art, dance and performance in all its forms into the matrix of street life.

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