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Bollywood songs, more formally known as Hindi film songs or filmi songs, are songs featured in Bollywood films. Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with dance, are a characteristic motif of Hindi cinema which gives it enduring popular appeal, cultural value and context. Hindi film songs form a predominant component of Indian pop music, and derive their inspiration from both classical and modern sources. Hindi film songs are now firmly embedded in North India’s popular culture and routinely encountered in North India in marketplaces, shops, during bus and train journeys and numerous other situations. Though Hindi films routinely contain many songs and some dance routines, they are not musicals in the Western theatrical sense; the music-song-dance aspect is an integral feature of the genre akin to plot, dialogue and other parameters.

1990s – The decade of celebration
As 1980s drew to a close, the softness and subtle nuances of these songs began giving way to fast and orchestral forms too. A portion of the 1990s also introduced us to the three Khans, Madhuri Dixit, Karisma Kapoor and others. There was dance, a lot of it! There were celebrations too as onscreen romance became more fearless. There was open flirting as guys and girls broke into a dance number at the drop of a hat. Luckily, all of it never looked jarring. Sooraj Barjatya’s films seemed written around a dozen of songs with the plot connecting each number. There was DDLJ too which was a mixed bag of tracks – one for party, one for shaadi and one for the ‘sarson ke khet’ too! And among all of it, its manner of picturisation also changed with more proximity between the actors. Now, there wasn’t any need for any cut-ins as actors were close enough to fit in the single frame!

2000s – The decade of quick moves

In the 2000s, there was increasing skin show, quick moves and loud compositions. New faces like Hrithik Roshan and Aishwarya Rai added to the star value. Both being brilliant dancers with beautiful personalities shone onscreen. No film was complete without their dance number. And while these two filled up for the performance part, others like Shah Rukh Khan and Aamir Khan kept the romance intact. While SRK kept spreading his arms, Aamir’s antics in tracks like “Aati Kya Khandala” even if it lacked lyrics, made each of their song a national favourite. And amid all this, filmmakers like Karan Johar kept giving us Kabhie Khushi Kabhi Gham to fix any loose ends.

Sometimes the songs were used to introduce a character, sometimes, in the end credits to show the “happily ever after”. They were all shot larger than life on a budget which could be enough to produce a separate film altogether. This phase saw the canvas of songs grow to exorbitant levels.

2010s – The decade of objectification

In 2010s, songs lost their storytelling part too. Its screenplay wasn’t really worked upon. All our actors had to do was get into some gymnastic-like dance, which was fast cut on the editing table. And before you could see their faces or judge their moves, the shot had changed 5 times! Romance too became indulging in the actual ‘act’. Suggestive shots and symbolism vanished and Bollywood began propagating “see it to believe it”.

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