I reverse engineered the ARRI LogC image of The Penguin so we can look at the images with EL Zone and really see what the DP was looking at on set!
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I walk you through key things to consider when shooting an actual script as the Director of Photography. Such as metering exposure & why always metering for middle grey is not what the pros do; differences between a DIT and a DMT (media wrangler or loader); Why using EL Zone on reference images is so beneficial for pre-production; what true innovative cinematography actually is; consistency is key!; dynamic range and how to use ISO; shadow side vs key side; and more cinematography tips; of course all of this while looking at real examples of what they did on making and shooting The Penguin, an awesome show on HBO Max inspired by The Batman shot by Greig Fraser.
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CHAPTERS
00:00 – intro
02:33 – metering xxposure
06:24 – DIT
09:42 – why EL zone
11:13 – under vs over
12:48 – innovative cinematography
14:57 – consistency
20:05 – dynamic range
22:48 – working with windows
24:32 – contrast ratio
26:21 – DAY EXT.
27:36 – room tone
29:07 – car scene
29:57 – separation with color
32:10 – shadow vs key
34:45 – layers
Why are modern films underexposed? |
Hollywood’s Secret To CLEAN Night Scenes |
How to PROPERLY Expose in Low Light – Cinematography Breakdown |
digital vs film | How to meter cinematography |
How to get consistent exposure for video |
How to improve your cinematography |
What is contrast ratio? | How to be a better filmmaker |
How to be a better cinematographer |
What is dynamic range?
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Download Movie Why under exposed shots look better & why Hollywood’s getting darker
