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The film begins with a Dutch military convoy patrolling the roads of Afghanistan. It’s a normal day for the soldiers, but their mission suddenly turns into a nightmare when an improvised explosive device explodes next to their convoy. In the chaos that follows the explosion, the soldiers try to figure out where the threat is coming from. One of them, young and experienced, but still vulnerable to fear and tension, opens fire on an Afghan who seems suspicious.

This shot becomes a fatal mistake. Soon it turns out that the killed Afghan was innocent. This incident triggers a series of dramatic events that have lasting effects on all those who survived the explosion. Feelings of guilt, doubt, and fear haunt the soldiers. They begin to rethink their actions and decisions, trying to understand whether the killing was justified.

The film shows in detail how this incident affects each of the soldiers. They begin to lose confidence in themselves and in their commanders. Each of them goes through a personal crisis, facing the consequences of their actions on the battlefield. It is difficult to return to normal life when the memories of the war are constantly haunting.

The protagonist, the soldier who opened fire, feels a special burden of guilt. He becomes the main focus of psychological analysis, demonstrating how war can change a person. His relationships with his family and friends are destroyed because he cannot find a way to cope with the emotions that haunt him.

The protagonist, the soldier who opened fire, feels a special burden of guilt. He becomes the main focus of psychological analysis, demonstrating how war can change a person. His relationships with his family and friends are destroyed because he cannot find a way to cope with the emotions that haunt him.

“A Good Kill” raises important moral questions. The film makes the viewer think about the ethical aspects of war: is it possible to justify killing in a military context where every action can be perceived as defense? Are soldiers only instruments of war, or do they also bear personal responsibility for their actions?

The film also explores how society treats soldiers after they return from war. Their heroic deeds often go unnoticed, while their mistakes are criticized. This leads to alienation and isolation, which further complicates the rehabilitation trinianpal515 process.

Director – Boris Paval Conen

Writer – Boris Paval Conen

Stars – Matthijs van de Sande Bakhuyzen, Lourens van den Akker, Yannick van de Velde

Drama, War

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